People used to call Pilsen "La Dieciocho," which means the 18th. Even if you lived on 16th or 21st Street, or one of the other streets that goes in the other direction, people still referred to it as "La Dieciocho."
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Chief Curator Cesareo Moreno said this kind of stuff is all a part of an exhibition titled "Placemaking & Landmarks."
"The exhibition takes a look at the Mexican community that was displaced because of eminent domain. In other words in the 50s and the 60s the city government and the federal government built an expressway. The 290 expressway, the congress expressway and then the UIC circle campus. Many Mexican Americans were displaced from this neighborhood and they moved about a half of a mile south across the train tracks to what is now known as Pilsen," said Moreno.
The exhibit is primarily comprised of photographs from the 1950s and 1960s along with some artifacts, like a stained glass windows from Casa Aztlan.
"The stained glass window was above the entrance was for many years at Casa Aztlan. It was created in 1975 around that time. It was created by a teacher artist," said Moreno. "It really shows how artists from across the city would come to Casa Aztlan, would come to La dieciocho area and work with the community."
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The artwork showcased is also a part of Chicago Architectural Biannual. Institutions and artists across the Chicagoland were asked to participate and bring perspective that shed light on individual communities.
"So place making and landmarks although it is a part of the Chicago Architectural Biannual really is also is a part of the Mexican History in Chicago," Moreno said.
The National Museum of Mexican Art is also opening their Day of the Dead Exhibit Friday night.
Admission is free for both exhibits.